Tuesday, May 22, 2012

Period Rooms Inspire Feathering your Historic Nest

Jaffrey Room in Boston's Museum of Fine Arts
At this time of year, I usually glance around the house and think (alla Bette Davis) "What a dump!"  This leads me to CVS for some magazines to peruse.  But if I'm looking for some inspiration with a decidedly "historic home" flavor, I need to set my sites elsewhere.  This is where house museums come to the rescue.  In the spring, many Cape Cod house museums are dusting off the cobwebs around ye ol' doorway.  Since most are open seasonally, this is the perfect time to plan your visit.

For a list of historic house museums, click on the tab above, or to see upcoming events, click on the events tab.  Another resource to view period rooms online is the Daughters of the American Revolution Museum in DC.  On their website, you can view virtual tours of period rooms from a wide range of time periods - Pilgrims to Victorians.  The rooms represent 31 different States. Many of the early american rooms are "colonial revival" style.  I like to challenge myself to identify the time period before I read the description below the virtual tour.

If you are heading into Boston, the Museum of Fine Arts has eight period rooms in the new Art of the Americas Wing.

Brown-Pearl Hall in Boston's Museum of Fine Arts - Period Rooms
Another online resource is the Historic American Building Survey which was done courtesy of the "New Deal" to record our country's quickly diminishing historic buildings.  The Cape Cod homes, as well as others across the country, that were photographed, inside and out, could provide hours of entertainment for an old home enthusiast.  And who knows.... you might see your own house there!

Photo from Historic American Building Survey
Photo from Historic American Building Survey

Sunday, May 6, 2012

Women's Worlds, the Art and Life of Mary Ellen Best 1809-1891 by Caroline Davidson

Self portrait of the artist
I stumbled upon this book when I was searching for representations of early 19th century interiors in art.  If your home was built in the first half of the 19th century, this book is a gold mine!  Mary Ellen Best was an English artist who lived from 1809-1891.  This book shows 140 full color pictures of her paintings of domestic interiors and streetscapes.  Many of the interiors are middle to upper class homes, while some have more humble origins.



Note the slipcovers and pillows on the sofa

         

Ms. Best slavishly copies the details of the wallpaper, carpets, artwork, drapery and even china in the houses of her friends and relatives or of the hotels that she stayed at when traveling.  Some of my favorite paintings showed the kitchens, from homey English ones to the squeaky clean kitchens of the Netherlands.  No detail escapes her notice - right down to the table settings and crumb cloths.

The author, Caroline Davidson, follows Ms. Best chronologically through her life and many travels. She enriches the illustrations with commentary about the artist's life as well as the details that are to be found in the watercolors.


Women's Worlds, The Art and Life of Mary Ellen Best 1809-1891, Caroline Davidson, Crown Publishers, Inc., New York c. 1985

Tuesday, April 24, 2012

Open House Sunday April 29th, Historic Home in Harwich, MA

If you like open houses, this weekend you'll be like a kid in a candy store.  The National Association of Realtors is hosting its 3rd annual nationwide Open House.

I'll be holding an open house for my new listing at 280 Chatham Road, Harwich, MA on Sunday from 1-3 PM.  This home, the Captain Samuel Eldridge House, was built in 1825. With 4 bedrooms and 1 1/2 baths, it retains many of its original architectural features and is set on 2 acres of open meadow and woodland.

Just a mile from Nantucket Sound beaches and a short drive to shops and restaurants.  Offered at $319,000.  For more information about the history of this lovely home, visit the homeowner's website.

And don't forget to stop by for a peak and some light refreshments on Sunday.












Wednesday, April 18, 2012

Cape-Wide Annual Historic Preservation Workshop

The Cape Wide Annual Historic Preservation Workshop, hosted by the Cape Cod Commission, took place on Monday, April 9th at the Harwich Community Center.  Preservation minded folks flocked to the community center to hear this year's presenters, Virginia H. Adams, David Ottinger Ian Ellison, and Jess Phelps.


Virgina Adams's presentation, Comprehensive Town-Wide Inventories and Mid-20th Century Modernism spoke to the need for each town to survey its historic properties.  Properties that are 50 years old or older can be considered for inclusion in the state and national register of historic places.  Even towns who have completed surveys in the past will have additional properties that can be surveyed.

When researching your home, in addition to viewing survey's that may have been completed in your town, you may also refer to the list which is held by the Massachusetts Historical Commission, MACRIS.  The town of West Tisbury has put together a wonderful video on youtube that explains how to mine this collection.

Marcel Breuer
If your vision of a National Register listed house is one of center chimney's and 6 over 6 windows, Adams reminds us that the cape is home to many mid century modern homes that are historically significant as well.  Architects and designers such as Serge Chermayeff, Marcel Breuer, Olav Hammerstrom and Charles Zendher, embracing the modern aesthetic of the international style, were drawn to the shores of the outer cape.  For more information about the Cape's surviving examples of modern architecture, visit the Cape Cod Modern House Trust's website.

The next speaker, David Ottinger of Antique Buildings and Materials, gave a presentation entitled "Suggestions for Preserving Historic Cape Cod Buildings".  With more than 30 years of experience working on historic buildings, David has in depth knowledge of historic construction methods.  The Cape Cod Commission has posted David's presentation at their website.  He explains that in the 18th century, the term "workmanlike" had particular meaning and was understood by all.  When confronted with todays building regulations, historic building systems must sometimes be altered or enhanced.  However, this can be done in a way that is sympathetic to the original structure.  It is vitally important when restoring your historic home to consult with someone knowledgeable about the construction methods employed by the original framers.  What may seem like a complete loss to the untrained eye, may in fact only require a simple fix.

Dragon tail joint - photo from
 Ellison Timber Frames website
Echoing this sentiment, the next speaker, Ian Eliison of Timberframes, presents "Preserving our Historic Timber Framed Structures".  In slide after slide, Ellison shows images of timber framed structures that look too rotted to be saved.  However, save them he does!  When faced with a beam that is rotted at the end, Ellison shows how a new end can be joined onto the good section, saving the historic members.  You may view the presentation at the Cape Cod commission's website.

The last speaker, Jess Phelps, presented "Non-Regulatory Preservation-Exploring the Available Alternatives".   Though Phelps is not advocating non-regulatory preservation over regulatory (like local historic districts or demolition delays) he explains that where there are no protections or where the protections are inadequate to protect resources, non regulatory methods can help.  Sometimes historic resources lay outside of an existing historic district.  Or the resource may be on the interior, like a Rufus Porter mural, where existing regulations do not have jurisdiction.

One tool that Phelps outlines is establishing a preservation easement, like the 83 easements that Historic New England holds.  The protection is attached to the deed in perpetuity to provide protection long after the current owner has gone.  And, a preservation easement can be attached to interior resources that would not be protected by a historic district.

The workshop left me energized and hopeful that through a multi faceted approach and sharing of knowledge, the Cape's historic treasures will grace the landscape for a long time to come.

Sunday, April 1, 2012

Historic Home Design - something old, something new...

What is your approach to design in your historic home?  You may feel drawn to recreate an interior that reflects the time period that the house was built.  Whenever I visit a place like Old Sturbridge Village, I leave with a camera full of photos, pages of notes, and grand plans to do a museum restoration.

But, then I go to Ikea and dream of a clean modern space.  It's a dilemma that faces many owners of older homes.  Perhaps what is called for is a mixture of both - a space that honors the style of the home but reinvents it with a clean fresh look.  Historic homes, in addition to being green (the greenest house is the one already built), are a perfect backdrop for an eclectic mix of furniture and accessories.  In other words, older homes don't have to look "granny".  I believe that the trick is to "do no harm".  Leave the architectural features unmolested, but have fun with color, furniture and accessories.

Photo from The Design Files
From House Beautiful Magazine
This eclectic mix of old and new can be seen at every turn.  From magazines like House Beautiful and Country Living to the pages of catalogs like Pottery Barn or School House Electric Lighting.  Here are a few examples:


Living room from House Beautiful Magazine


In this living room, the original features of the room are a perfect foil for the eclectic mix of modern and antique furniture and accessories.



The exposed brick and painted wood floors warm up the space while the large scaled prints add a fresh approach to a traditional image.

Monday, March 26, 2012

The Future of Sand Hill School, Sandwich, MA

Sand Hill School ca. 1900 showing the decorative gable molding and porch corbels
distinctive of the carpenter gothic style
 On Sunday, March 25th, the Sandwich Historical Commission hosted an open house at the Sand Hill School (also called the Clark Haddad building), on Dewey Avenue, followed by an open exchange of ideas on the future of that building at the newly renovated Sandwich Town Hall.

This Sand Hill school was built to provide for the educational needs of the children in the Jarvesville neighborhood that surrounded the Boston and Sandwich Glass Factory.  It was built in 1885 to replace an earlier school building. The School has been the topic of much discussion ever since the Superintendent's office moved out in 2007, leaving the building vacant.  What is to become of this tangible piece of Sandwich's history?

Touring the school during the open house, I was surprised to see how much of the original fabric remains in the building.  It has original bead board wainscoting, doors and built in cabinetry.  Though the floors are covered in carpet, I suspect that the floorboards may be hiding underneath.

There was a healthy turnout at the open house.  Afterwards, an informal meeting took place at the town hall.  I was pleased that the cookies and lemonade found their way over to the town hall meeting :)

Terry Blake, Chair of the Historical Commission helped to outline some of the options:
Move it, Preserve it, or tear it down.  Jon Shaw, also of the commission gave an entertaining talk about the history and style of the building.  Throughout its years, it has seen many uses, including as a ballet studio, ball room, kindergarten, American Legion Hall, and Women's auxiliary.

Students at the Sand Hill School circa 1900 (note two entrances)
Participants at the meeting recalled some of their own stories.  Apparently, when the building was used by the Women's auxiliary, the town mandated that there could be no alcohol on the first floor of the building.  Due to this decree, the basement was dug out.... by hand.  Where there's a will there's a way.

Today, the school is a shadow of its former self.  The carpenter gothic details which adorned its gables and roofline have been removed or covered up.  The original porch was changed and the corbels removed.  Since it has been vacant it has become a target to vandals.  Chipped paint, broken windows and plywood boards now mar its facade.

The Sand Hill School (also known as the Clark-Haddad building as
it looks today.
The discussion turned to potential future uses.  The Sandwich Historical Commission advocates for preservation.  The consensus of the attendees seemed to indicate a preference to preserve the school in its current location as much of its importance lies in its history and link to the B & S Glass Factory. Ideas on how to accomplish this were many and included:

 Selling the property with a preservation easement,
 Keeping the property but leasing it to an organization which would be charged with the preservation,
 A curatorship program like that sponsored by the state of Massachusetts
 Keeping the property and maintaining it as a publicly accessible building.

A few suggested using the building as a place for research of our town's history, housing the archives and including a museum celebrating the history of the glass factory workers.  Others would like to see the building perform a multi use function, like a community center.  It was suggested that it could perhaps hold the offices of the superintendent once again.

To address the immediate preservation needs, many signed their names to a "work-day" list to help paint, rake and fix windows.  Which I'm sure would be a relief to neighbors who have had to look at this once stately building become an eyesore in the neighborhood.

So what is to become of the Sand Hill School?  If the energy and passion in that room is any indication..... something great!

Tuesday, February 14, 2012

Romantic Movie to watch on Valentines Day - featuring... the house

The Ghost and Mrs. Muir

I know I'm not alone.  There are others out there that will watch a movie again and again to see the details of the historic house.  On Valentine's Day, what better movie to watch than The Ghost and Mrs. Muir, released in 1942 and starring Gene Tierney and Rex Harrison?  Gene Tierney plays the part of Lucy Muir, a young widow who rents a charming cottage by the sea, only to discover it is inhabited by Captain Daniel Gregg, a handsome ship captain's ghost (played by Rex Harrison).

Not to diminish the performances of Gene Tierney and Rex Harrison, which were wonderful, but the HOUSE.  Oh my, the house.... Gull Cottage, vine covered and romantic with tall windows, crackling fires in the hearth, and gas lighting.   This set was actually built in California and dismantled after the movie production.   But it certainly lives on in my mind as the quintessential ship captain's cottage by the sea.  What is your favorite romantic movie house?